Jay Gordon....Gold Rings, Silver Bullets!

The last time I saw Jay Gordon was ten years ago. I was impressed then with his knowledge of the guitar and in particular, the way he played the Blues.

The Blues is not something one just picks up a guitar and starts to play. The Blues comes from deep down in your soul and unless you have lived the Blues, it's impossible to play with the necessary feeling. Jay Gordon can play the Blues because he has felt the Blues.

It was easy to see that Mr. Gordon has had the Blues a great deal since I last saw him and our conversation on the show yesterday confirmed that fact though we did not go into great detail.

Jay Gordon has greatly developed his burning style of electric Blues and added some new touches with some scary slide work thrown in to boot.

This is not a show for the traditional Blues traveler. This show features music from Jay's latest release, Gold Rings, Silver Bullets and is not for the faint-hearted. So be fore warned! This CD SCREAMS!

Listen in as BluePower takes you through the history of this fine electric Bluesman, from his early musical life in Chicago, his travels on the road and the ups and downs of life itself. Everyone has an incredible story to tell.

Many thanks to Mr. John Schayer, Mr. Gordon's bassman and friend for many years, for coming by BluePower to add sparkle to the conversation.

John Rhys/BluePower.com


Here's the music:

1)....Theme...."Hand Clappin"....Red Prysock
2)...."Fire And Brimstone Boogie"....Jay Gordon and The Penetrators
3)...."Pickin' On A Piece Of Wood"....Jay Gordon and The Penetrators 4)...."Pain"....Jay Gordon and The Penetrators
5)...."Driving Me Wild"....Jay Gordon and The Penetrators
6)...."Freight Train"....Jay Gordon and The Penetrators

Click here to play....Jay Gordon....Gold Rings, Silver Bullets!

Click here to purchase....Gold Rings, Silver Bullets!

Click here for more info on Jay Gordon!

All songs with the exception of our theme are from Gold Rings, Silver Bullets and BluePower has been granted permission to play this music for promotional purposes in perpituity.

Coming....Vee Jay, The Definitive Collection!

Deluxe four-CD box set with extensive liner notes features such Vee-Jay Records hitmakers as Jimmy Reed, John Lee Hooker, The Four Seasons, Jerry Butler & the Impressions, The Staple Singers, Betty Everett, Little Richard, Billy Preston, Gene Chandler, Rosco Gordon, J.B. Lenoir, Joe Simon, The El Dorados, The Dells, Jimmy Hughes, The Spaniels and more

LOS ANGELES, Calif. — Vee-Jay Records was the first successful African-American-owned record company. At various times in its 13-year tenure, it was bigger than Motown Records and its Chicago rival, Chess Records. With origins in blues and doo-wop, the label quickly expanded into rhythm and blues, soul, jazz and gospel. Though it is perhaps best known as the first American label to release The Beatles’ first album and singles, it is the classic records by Jimmy Reed, Jerry Butler, John Lee Hooker, The Staple Singers, The Four Seasons, and countless others that are the label’s most enduring contributions to popular music.

A hearty selection of Vee-Jay Records’ legendary recordings has been assembled by Shout! Factory for Vee-Jay: The Definitive Collection, an 86-track, four-CD anthology with detailed liner notes by music writers Gerald Early and Michael Ribas. The package will list for $59.98 and will hit the streets August 21, 2007.

According to Shout! Factory CEO Richard Foos, “Vee-Jay Records has as incredibly rich legacy, which hasn't always been well-served in the 40 years since the company went out of business. Thanks to our collaboration with Vee-Jay Limited Partnership, Vee-Jay: The Definitive Collection is our attempt to finally do its music justice, and hopefully introduce it to a new audience as well."


Featured on the collection are such essential Vee-Jay artists as Jimmy Reed (“Big Boss Man,” “Baby What You Want Me To Do”), Jerry Butler & The Impressions (“For Your Precious Love”), Gene Chandler (“Duke of Earl”), The Staple Singers (“Will The Circle Be Unbroken”), The Pips with Gladys Knight (“Every Beat of My Heart”), The Dells (“Stay In My Corner”), John Lee Hooker (“Boom Boom”), Dee Clark (“Raindrops”), The Spaniels (“Goodnite Sweetheart, Goodnite”), Betty Everett (“You’re No Good”), Elmore James (“It Hurts Me Too”), Little Richard (“I Don’t Know What You Have But It’s Got Me”), The El Dorados (“At My Front Door”), Rosco Gordon (“Just a Little Bit”), Snooky Pryor (“Judgment Day”), Billy Boy Arnold (“I Wish You Would”), Memphis Slim (“Steppin’ Out”), J.B. Lenoir (Oh Baby”), Billy Preston (“Billy’s Bag”), Eddie Harris (“Exodus”), The Swan Silvertones (“Mary Don’t You Weep”), Hoyt Axton (“Bring Your Lovin’”) and much, much more.

To give the fullest possible picture of the Vee-Jay story, Shout! Factory has also licensed in key tracks no longer controlled by Vee-Jay: The Four Seasons’ “Sherry”, Gloria Jones’s “Tainted Love” (later a worldwide hit for Soft Cell), The Honeycombs’ British Invasion hit “Have I The Right,” and two deep-soul classics, Jimmy Hughes’s “Steal Away” and Joe Simon’s “Let’s Do It Over.”

Until its demise, Vee-Jay represented the ultimate American success story. It began in 1953 when husband-and-wife entrepreneurs Vivian Carter (a DJ at a Gary, Ind., R&B station) and Jimmy Bracken (a record store owner) borrowed $500 from a pawnbroker to record The Spaniels’ “Baby, It’s You,” which rose to the No. 10 position on Billboard’s R&B chart. Later that year they chanced upon bluesman Jimmy Reed, a worker at a Chicago slaughterhouse, who became the best-selling blues artist of the ’50s and ’60s. Relocating from Gary to Chicago, Carter and Bracken found the talent pool, networks and marketplace just right for a label like theirs.

Over the next decade, Vee-Jay built itself into a black music powerhouse that also made strong inroads into the pop market, with acts like Jerry Butler and The Four Seasons. The label’s success came to a soaring crescendo in 1964, when some records Vee-Jay had released to little fanfare two years previous by a group called The Beatles, suddenly became hugely successful as Beatlemania landed on U.S. shores. Sadly for Vee-Jay, EMI’s American label, Capitol, promptly decided that they were entitled to sign the Beatles, though they had passed on them initially. Due to mismanagement and the vagaries of the music business, Vee-Jay soon lost its second biggest act, The Four Seasons, and the company went into financial freefall, though it continued to release great records right up until its demise in 1966.

Vee-Jay’s achieved many things in its 13-year run: It helped define the sound of urban blues from the industrial Midwest; it provided a springboard for the region’s many doo-wop groups; it gave rise to the sound of Chicago soul and jazz; it made early inroads to the Southern soul later popularized by Stax and Atlantic; and it was the first black-owned label to break a major white act, the Four Seasons. Landing The Beatles came about almost by accident—all of the rest of it took talent, hard work, and impeccable taste.

For the uninitiated, Vee-Jay: The Definitive Collection will serve as an enthralling and instructive introduction to this essential but oft-forgotten label, and savvy Vee-Jay aficionados are sure to learn a thing or two as well.

Later in 2007, Shout! Factory will follow up the box set with compilations of Vee-Jay material by Jerry Butler, The Staple Singers, John Lee Hooker, and The Dells, and will also reissue key albums from the catalog.

DISC ONE:

1. JIMMY REED AND HIS TRIO — High And Lonesome
2. THE SPANIELS — Baby, It’s You
3. THE SPANIELS — Goodnite Sweetheart, Goodnite
4. FLOYD JONES AND BAND — Ain’t Times Hard
5. JIMMY REED AND HIS TRIO — You Don’t Have To Go
6. L.C. McKINLEY — Blue Evening
7. BILLY BOY ARNOLD — I Wish You Would
8. THE EL DORADOS — At My Front Door
9. MORRIS PEJOE — Hurt My Feelings
10. EDDIE TAYLOR — Bad Boy
11. THE HIGHWAY QC’S — Somewhere To Lay My Head
12. JAY McSHANN’S ORCHESTRA, VOCALIST PRISCILLA BOWMAN — Hands Off
13. THE FIVE ECHOES — Fool’s Prayer
14. EARL PHILLIPS — Oop De Oop
15. THE EL DORADOS WITH AL SMITH’S ORCHESTRA — I’ll Be Forever Loving You
16. JIMMY REED — Ain’t That Lovin’ You Baby
17. AL SMITH’S COMBO — Fooling Around Slowly
18. THE MAGNIFICENTS — Up On The Mountain
19. EDDIE TAYLOR — Big Town Playboy
20. CAMILLE HOWARD — Rock ’N Roll Mama
21. THE DELLS — Oh What A Nite

DISC TWO:

1. JOHN LEE HOOKER — Dimples
2. PEE WEE CRAYTON — The Telephone Is Ringing
3. SNOOKY PRYOR — Judgment Day
4. THE STAPLE SINGERS — Uncloudy Day
5. SONNY TIL’S ORIOLES — FOR ALL WE KNOW
6. THE DELEGATES — Mother’s Son
7. BILLY EMERSON — The Pleasure’s All Mine
8. JIMMY REED — Honest I Do
9. THE HARMONIZING FOUR — Farther Along
10. GENE ALLISON — You Can Make It If You Try
11. ELMORE JAMES — It Hurts Me Too
12. HANK BALLARD & THE MIDNIGHTERS — The Twist
13. PRISCILLA BOWMAN WITH THE SPANIELS — A Rockin’ Good Way
14. LEE DIAMOND AND THE UPSETTERS — Hattie Malatti
15. BOBBY PARKER — Blues Get Off My Shoulder
16. JERRY BUTLER & THE IMPRESSIONS — For Your Precious Love
17. LEONARD CARBO — Pigtails And Blue Jeans
18. JOHN LEE HOOKER — I Love You Honey
19. THE ORIGINAL 5 BLIND BOYS OF MISSISSIPPI — Leave You In The Hands Of The Lord
20. DEE CLARK — Nobody But You
21. SHERIFF & THE RAVELS — Shombalor
22. HAROLD BURRAGE — Crying For My Baby

DISC THREE:

1. THE SWAN SILVERTONES — Mary Don’t You Weep
2. MEMPHIS SLIM — Steppin’ Out
3. ROSCO GORDON — Just A Little Bit
4. JIMMY REED BABY — What You Want Me To Do
5. DONNIE ELBERT — Will You Ever Be Mine
6. THE STAPLE SINGERS — Will The Circle Be Unbroken
7. WADE FLEMONS — Easy Lovin’
8. JOHN LEE HOOKER — No Shoes
9. J.B. LENOIR — Oh Baby
10. JERRY BUTLER — He Will Break Your Heart
11. EDDIE HARRIS — Exodus
12. JIMMY REED — Big Boss Man
13. DEE CLARK — Raindrops
14. THE PIPS WITH GLADYS KNIGHT — Every Beat Of My Heart
15. THE SALLIE MARTIN SINGERS — Old Ship Of Zion
16. JIMMY REED — Bright Lights, Big City
17. THE DUKAYS — Nite Owl
18. GENE CHANDLER — Duke Of Earl
19. THE MOONGLOWS — Real Gone Mama
20. THE “5” ROYALES — Help Me Somebody
21. JOHN LEE HOOKER — Boom Boom

DISC FOUR:

1. CHRISTINE KITTRELL — I’m A Woman
2. JERRY BUTLER — Make It Easy On Yourself
3. THE FOUR SEASONS — Sherry
4. GENE CHANDLER — Rainbow
5. THE PYRAMIDS — Shakin’ Fit
6. BIRDLEGS & PAULINE AND THEIR VERSATILITY BIRDS — Spring
7. AKI ALEONG & THE NOBLES — Body Surf
8. BETTY EVERETT — YOU’RE NO GOOD
9. THE ORIGINAL BLIND BOYS OF ALABAMA — I Can See Everybody’s Mother
10. BETTY EVERETT — The Shoop Shoop Song (It’s In His Kiss)
11. JIMMY HUGHES — Steal Away
12. THE HONEYCOMBS — Have I The Right
13. JERRY BUTLER & BETTY EVERETT — Let It Be Me
14. HOYT AXTON — Bring Your Lovin’
15. BETTY EVERETT — Getting Mighty Crowded
16. THE CARAVANS — Walk Around Heaven All Day
17. GLORIA JONES — Tainted Love
18. BILLY PRESTON — Billy’s Bag
19. THE DELLS — Stay In My Corner
20. FRED HUGHES — Oo Wee Baby, I Love You
21. JOE SIMON — Let’s Do It Over
22. LITTLE RICHARD — I Don’t Know What You’ve Got But It’s Got Me