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Thursday, November 03, 2005

Ike Turner....The Bad Boy Of The Blues!



BluePower is proud to present Part One of an exclusive interview with the inimitable IKE TURNER.

Hailed as the FATHER OF ROCK AND ROLL, Turner talks of the early days on the road, his influences and of the racial parameters black musicians had to mind in the South.

In this first of a four part series, John Rhys and Jeanie Cunningham attempt to uncover Ike's feelings regarding many topics.

We think you will be surprised to find this man is "not" the ogre of which he has been made by the media. You will find that Ike Turner is one of the most gifted popular musicians alive today and has contributed more to the world of popular music than even the experts realize.

John Rhys/BluePower.com

Listen To: Ike Turner....The Bad Boy Of The Blues!

Monday, October 31, 2005

A True Lady Of The Blues....Sippie Wallace!


A classic female blues singer from the '20s, Wallace kept performing and recording until her death. She was a major influence on a young Bonnie Raitt, who recorded several of Wallace's songs and performed live with her.

The daughter of a Baptist deacon, Sippie Wallace (born Beulah Thomas) was born and raised in Houston. As a child, she sang and played piano in church. Before she was in her teens, she began performing with her pianist brother Hersal Thomas. By the time she was in her mid-teens, she had left Houston to pursue a musical career, singing in a number of tent shows and earning a dedicated fan base. In 1915, she moved to New Orleans with Hersal. Two years later, she married Matt Wallace.

In 1923, Sippie, Hersal, and their older brother George moved to Chicago, where Sippie became part of the city's jazz scene. By the end of the year, she had earned a contract with OKeh Records. Her first two songs for the label, "Shorty George" and "Up the Country Blues," were hits and Sippie soon became a star. Throughout the '20s, she produced a series of singles that were nearly all hits. Wallace's OKeh recordings featured a number of celebrated jazz musicians, including Louis Armstrong, Eddie Heywood, King Oliver, and Clarence Williams; both Hersal and George Thomas performed on Sippie's records as well, in addition to supporting her at concerts. Between 1923 and 1927, she recorded over 40 songs for OKeh. Many of the songs that were Wallace originals or co-written by Sippie and her brothers.

In 1926, Hersal Thomas died of food poisoning, but Sippie Wallace continued to perform and record. Within a few years, however, she stopped performing regularly. After her contract with OKeh was finished in the late '20s, she moved to Detroit in 1929. In the early '30s, Wallace stopped recording, only performing the occasional gig. In 1936, both George Thomas and her husband Matt died. Following their deaths, Sippie joined the Leland Baptist Church in Detroit, where she was an organist and vocalist; she stayed with the church for the next 40 years.

Between 1936 and 1966, Sippie Wallace was inactive on the blues scene -- she only performed a handful of concerts and cut a few records. In 1966, she was lured out of retirement by her friend Victoria Spivey, who convinced Sippie to join the thriving blues and folk festival circuit. Wallace not only joined the circuit, she began recording again. Her first new album was a collection of duets with Spivey, appropriately titled Sippie Wallace and Victoria Spivey, which was recorded in 1966; the album wasn't released until 1970. Also in 1966, Wallace recorded Sippie Wallace Sings the Blues for Storyville, which featured support from musicians like Little Brother Montgomery and Roosevelt Sykes. The album was quite popular, as were Sippie's festival performances.

In 1970, Sippie Wallace suffered a stroke, but she was able to continue recording and performing, although not as frequently as she had before. In 1982, Bonnie Raitt -- who had longed claimed Sippie as a major influence -- helped Wallace land a contract with Atlantic Records. Raitt produced the resulting album, Sippie, which was released in 1983. Sippie won the WC Handy Award for best blues album of the year and was nominated for a Grammy. The album turned out to be Sippie Wallace's last recording -- she died in 1986, when she was 88 years old.

From: AMG
By: Stephen Thomas Erlewine & Cub Koda

2nd Annual Downtown O’Town Bluesfest & Barbeque !


November 19th, 2005
18 Wall St. Plaza
Orlando, FL 32801

www.wallstplaza.net (Ph. 407-849-0471)
www.smokintorps.com (Ph. 407-359-8777)

2:00 PM to 10:00 PM

Following the success of last year’s event and in celebration of the one year anniversary of the Orange Blossom Blues Society being formed, The Smokin’ Torpedoes and the Wall St. Plaza proudly present this years 2nd Annual Downtown O’Town Bluesfest & Barbeque.

This year’s event features national, regional & local acts to include:

Little Charlie & The Nightcats - http://www.alligator.com/index.cfm?section=artists&artistid=14
Lucky Peterson - http://www.alligator.com/index.cfm?section=artists&artistid=25
James Peterson - http://jamespeterson.faithweb.com/index.html
Sarasota Slim - http://www.sarasotaslim.com/
Beautiful Bobby Blackmon - http://www.cdbaby.com/cd/bbb2
Shaun Rounds Blues Band -
Smokin’ Torpedoes w/ Special Guest Performers - http://www.smokintorps.com

This is an all day family event and ticket prices are $10 ($5.00 to all Florida Blues Society Members). Festival information and advance tickets can be found at: http://www.smokintorps.com/bluesfest2005.htm.

Sponsors for this year’s event include:

Comfort Inn Longwood http://www.rodewayinn.com/ires/hotel/fl714
Sam Ash Music http://www.samashmusic.com/frameset.asp
Orange Blossom Blues Society http://www.orangeblossombluessociety.com/



8 Bars, 3 Restaurants, 5 Patios, 1 Balcony, 1 Stage, 7 Bands - 1 Big BBQ & Blues Street Party!

(Bring a lawn chair, as seating may be limited)